2020JAN

Domenico Beccafumi (1484-1551), The effects of gunpowder, from The Various Operations of Alchemy, woodcut, unframed, 17.5cm x 11.5cm.

Antonio Tempesta (1555-1630), Illustration for Canto I from Tasso's Jerusalem Delivered III, twenty, unframed, each 28cm x 20.5cm.

Michele Marieschi, Campo Santa Maria Formosa (succi 13), etching, and another of the Arsenale, both unframed, each 31cm x 47cm.(2)

After Jacques Callot, The holy family at a table, engraving, 19cm x 16.5cm.

Eugene Lacoste (19th century), Demonday de Girardons la Piece par L'on va jouer; Boucherie de Paris; Affaires Etrangere; L'Oiswetede la misere a tousi

W. J. Thomson (19th century), Portrait of a gentleman; Portrait of a lady, a pair, watercolour, one inscribed and dated 1820 on reverse, each 16.5cm x

Spanish School (19th century), Two Senoritas in a town square, watercolour, unframed, 198cm x 16cm.

James Malton (1761-1803), Barracks, Dublin; St Stephen's Green, Dublin; Ryal Exchange, Dublin; Powerscourt House, Dublin; Royal Infirmary, Phoenix Par

H. Taylor (19th century), Mother and sleeping infant, pastel, oval, signed, 65.5cm 78.5cm. Illustrated.

H. Prevost (Editor), Vue de St Petersbourg, a set of six lithographs with hand colouring, together with two further similar, various sizes.(8)

J** Y** (19th century), Still life of bank note, newspaper and magazine, watercolour, pen and ink, bears monogram JY and dated 1808 8, 25cm x 35cm.

CIrcle of John Ruskin, A Continental house, pencil, 18cm x 25.5cm.Provenance: Said to have been purchased at the General sale at Brantwood after Ruski

Circle of William Turner of Oxford, Distant spires of Oxford, watercolour, unframed, 33.5cm x 47.5cm.

After Rembrandt van Rijn, The Gold Weigher; The beheading of John the Baptist, two etchings, the larger 24cm x 20cm.(2)

Attributed to Saverio della Gatta (1777-1829), Figure group, monochrome watercolour, bears a signature and dated 1818, unframed, 19cm x 25cm.

Francisco José de Goya, Two plates from La Tauromaquia: Chevalier & Matador, two etchings, unframed, each 20.5cm x 31cm.(2)

John Henry Henshall (1856-1928), The Spinning Wheel, watercolour, signed, inscribed on labels verso, 35cm x 24cm.

Frederick R. Fitzgerald (1897-1938), The Romsdal, Naes; Bejteln, Naero Fjord, a pair, watercolour, both signed, each 37cm x 54cm.(2)

Frederick R. Fitzgerald (1897-1938), Mt Skaala, Leon; The Geiranger Fjord, Merok, two, watercolour, both signed, each approx 39cm x 55cm.(2)

Vincent Clare (1855-1930), Still life of fruit; Still life of blossom and birds nest, a pair, watercolour, oval, both signed, each 15cm x 22cm.

Albert Goodwin (1845-1932), York Minster, pen, ink, pencil and grey wash, signed and inscribed, 26.5cm x 35cm. 6231

Walter Henry Sweet (1889-1949), Harbour scene; Clovelly; Country Church; At the Cottage door, a group of four watercolours, all signed, the largest 34

Attributed to Kate Greenaway (1846-1901), Study of a Gypsy girl by a village, watercolour, 14cm x 12cm,. together with a further twelve pencil sketche

Carlo Maratti (1625-1713), The Visitation (Bartsch 3), etching, circa 1645-1660, and two further, all unframed, the largest 21.5cm x 14.5cm.(3)